Re: Shall we place a bet?
Posted: Sun Sep 19, 2021 12:25 am
Looking forward to it even more now! Thanks!
Just out of curiousity, Which guitar solo was on your copy of Get Back LP on the set? Ithought both For You Blue and Let It Be sounded like the 1970 Get Back mixes on that disc.FestVideoRoom wrote: ↑Sat Sep 18, 2021 11:28 pm Sure.
The remixed album is pretty much what we've come to expect from Team Giles at this point... somewhat faithful to the original albeit with a nice new heft to the drums.
The Get Back album is practically identical to the old boots except that a) it sounds a LOAD better (listening to a legitimate release of this album is an out-of-body experience) b) they've gone ahead and digitally erased that f*cking squeal of feedback from Teddy Boy. I may be a purist now and again but I won't miss that ear-splitting annoyance at all... c) they may have substituted an inferior dub of the 1970 For You Blue mix in place of the 1969 version.
The 4-track EP is nice BUT (as some may have heard via Friday's release of the new Get Back take 8 4-track single) the Glyn Johns 1970 mix of I Me Mine is marred with some hideous noise that sounds as if it may have been mastered from a damaged acetate or somesuch. Aside from For You Blue, it's the only sonic disappointment in the set.
Now we come to the two CDs' worth of outtakes. I wound up enjoying this part of the set FAR MORE than I thought I would. Does it come off like an official Get Back era bootleg set? Yes, but in the very best of ways. The sound quality (particularly on the first disc) is wonderful as it's mostly EMI reels being used here and the choice of material is well thought out. Frankly, that first disc is in some ways a more exciting and better listen than the original 1970 LP OR Glyn's 1969 LP compilation. The second disc isn't bad either -- not by far -- but by design is a bit more of a ragged affair. Of course, it's nothing that THIS crowd isn't well and truly used to and while the Nagra-sourced tracks don't hold a candle to their EMI-recorded cousins, they certainly sound better here than anywhere else.
Bottom line: if this is the sort of thing we have to look forward to in the soundtrack to the forthcoming Peter Jackson documentary, we should all consider ourselves very fortunate indeed.
Howzat?
Er... say what? The only significant mix difference between cuts that appear on Glyn's "final" 1969 version of the album and his 1970 revision is For You Blue which has a different mix using a replacement vocal. Let it Be was identical on ALL of Glyn's versions except his first compilation (which we generally know these days as the WBCN acetate. Or am I utterly misunderstanding you? Or am I really out of touch and know not of what I speak (that's been known to happen on occasion, too)...Darth Kybiel wrote: ↑Tue Sep 21, 2021 2:57 am Just out of curiousity, Which guitar solo was on your copy of Get Back LP on the set? Ithought both For You Blue and Let It Be sounded like the 1970 Get Back mixes on that disc.