GH - All Things Must Oops
Posted: Tue Aug 17, 2021 2:07 am
A collection of oopses from the new ATMP 5.1 mix extracts. Hope you enjoy it.
hxxps://drive.google.com/file/d/1bAuj-gUtNzQL1MmYs_pXGZGLDDAori8H/view?usp=sharing
George Harrison - All Things Must Oops
All oopses done at 24-192 from the DTS-HD files of the 5.1 mix, converted to 16-44. It'll fit on two cds.
I don't like removing George's voice from so many tracks but his lead vocals are loud and clear on every
channel of the 5.1 mix.
01a I'd Have You Any Time - After oopsing the front channels with the rear channels the result was subtracted
from the rear channels and features guitars and George's harmony vocal.
01b I'd Have You Any Time - Subtracting the C channel from the front channels removes most of the vocals &
instruments, giving a bass & drums backing track along with vibes, which might be recorded to the bass track
because they are on the LFE also.
02a My Sweet Lord - An oops of the 2 front channels removes most of the lead vocal & rhythm section but keeps
the acoustic guitars & backing vocals.
02b My Sweet Lord - Front channels oopsed with the rears at 8 dbs removes the acoustic guitars.
03a Wah Wah - Fronts-rears oops at 4db removes the guitars and all the mush which interestingly turns out to be
on the guitar tracks.
03b Wah Wah - The above track was then subtracted from the rear channels to hear those guitar tracks.
04a Isn't It A Pity - oops of the front & rear channels.
04b Isn't It A Pity - above track subtracted from the rear channels; guitars and harmony vocal.
05a What Is Life - oops of the fronts and rears; no guitars
05b What Is Life - above track subtracted from rear channels; guitars and backing vocals
06a If Not For You - subtracting the C channel from the fronts at -6db removes the lv.
06b If Not For You - Rears subtracted from the fronts at -2db.
07a Behind That Locked Door - Oops of front channels and rear channels.
07b Behind That Locked Door - Above track subtracted from the rear channels; featuring backing vocals.
08a Let It Down - An oops of the fronts and rears that then had the C channel subtracted from it to remove
the lv; orchestra version. I like the little horn peep at 3:00.
08b Let It Down - Rears oopsed with the C channel to remove the lv.
09a Run Of The Mill - Front channels oopsed with C channel to remove the lv. George's "guide" vocal is in the
left channel, maybe leakage onto his guitar mic.
09b Run Of The Mill - Rears subtracted from the fronts, then the result subtracted from the rears again to get
a better "guide" vocal and guitars.
10a Beware Of Darkness - Front channels oopsed with C channel removes the lv.
10b Beware Of Darkness - Rear channels with the vocal mostly removed by oopsing with C channel; guitars.
11a Apple Scruffs - Oops of front and rear channels at -1db.
11b Apple Scruffs - This one reverses the above and subtracts the front channels from the rears at -7.5 dbs;
backing vocals and slide solo. Much of this track is silent. I fudged on the slide and raised its volume by 6 dbs.
12a Ballad Of Sir Frankie Crisp [Let It Roll] - Fronts oopsed with C channel at -6db removes the lv.
12b Ballad Of Sir Frankie Crisp [Let It Roll] - This one oopses the fronts and rears.
13a Awaiting On You All - Fronts oopsed with C channel to remove the lead vocal.
13b Awaiting On You All - This one removes the front channel overlap from the rears with an oops, which was then
oopsed with the C channel to get the guitars.
14a All Things Must Pass - Fronts oopsed with C channel removes the lead vocal.
14b All Things Must Pass - Rear channels oopsed with the C channel.
15a I Dig Love - Front channels oopsed with C channel mutes the lead vocal.
15b I Dig Love - Rears oopsed with C channel, removes the lv from the rear channel mix.
16a Art Of Dying - Front channels oopsed with C channel removes the lead vocal but retains the harmony vocal.
16b Art Of Dying - Front channels with the rear channel overlap subtracted. George singing with a power trio.
17a Isn't It A Pity - Front channels oopsed with C channel, removes the lead vocal but keeps the backing vocals.
17b Isn't It A Pity - Oops of the front and rear channels removes the rear channel overlap on the fronts.
18a Hear Me Lord - Front channels oopsed with the C channel, removes the lv.
18b Hear Me Lord - Fronts oopsed with rears to remove the overlap.
hxxps://drive.google.com/file/d/1bAuj-gUtNzQL1MmYs_pXGZGLDDAori8H/view?usp=sharing
George Harrison - All Things Must Oops
All oopses done at 24-192 from the DTS-HD files of the 5.1 mix, converted to 16-44. It'll fit on two cds.
I don't like removing George's voice from so many tracks but his lead vocals are loud and clear on every
channel of the 5.1 mix.
01a I'd Have You Any Time - After oopsing the front channels with the rear channels the result was subtracted
from the rear channels and features guitars and George's harmony vocal.
01b I'd Have You Any Time - Subtracting the C channel from the front channels removes most of the vocals &
instruments, giving a bass & drums backing track along with vibes, which might be recorded to the bass track
because they are on the LFE also.
02a My Sweet Lord - An oops of the 2 front channels removes most of the lead vocal & rhythm section but keeps
the acoustic guitars & backing vocals.
02b My Sweet Lord - Front channels oopsed with the rears at 8 dbs removes the acoustic guitars.
03a Wah Wah - Fronts-rears oops at 4db removes the guitars and all the mush which interestingly turns out to be
on the guitar tracks.
03b Wah Wah - The above track was then subtracted from the rear channels to hear those guitar tracks.
04a Isn't It A Pity - oops of the front & rear channels.
04b Isn't It A Pity - above track subtracted from the rear channels; guitars and harmony vocal.
05a What Is Life - oops of the fronts and rears; no guitars
05b What Is Life - above track subtracted from rear channels; guitars and backing vocals
06a If Not For You - subtracting the C channel from the fronts at -6db removes the lv.
06b If Not For You - Rears subtracted from the fronts at -2db.
07a Behind That Locked Door - Oops of front channels and rear channels.
07b Behind That Locked Door - Above track subtracted from the rear channels; featuring backing vocals.
08a Let It Down - An oops of the fronts and rears that then had the C channel subtracted from it to remove
the lv; orchestra version. I like the little horn peep at 3:00.
08b Let It Down - Rears oopsed with the C channel to remove the lv.
09a Run Of The Mill - Front channels oopsed with C channel to remove the lv. George's "guide" vocal is in the
left channel, maybe leakage onto his guitar mic.
09b Run Of The Mill - Rears subtracted from the fronts, then the result subtracted from the rears again to get
a better "guide" vocal and guitars.
10a Beware Of Darkness - Front channels oopsed with C channel removes the lv.
10b Beware Of Darkness - Rear channels with the vocal mostly removed by oopsing with C channel; guitars.
11a Apple Scruffs - Oops of front and rear channels at -1db.
11b Apple Scruffs - This one reverses the above and subtracts the front channels from the rears at -7.5 dbs;
backing vocals and slide solo. Much of this track is silent. I fudged on the slide and raised its volume by 6 dbs.
12a Ballad Of Sir Frankie Crisp [Let It Roll] - Fronts oopsed with C channel at -6db removes the lv.
12b Ballad Of Sir Frankie Crisp [Let It Roll] - This one oopses the fronts and rears.
13a Awaiting On You All - Fronts oopsed with C channel to remove the lead vocal.
13b Awaiting On You All - This one removes the front channel overlap from the rears with an oops, which was then
oopsed with the C channel to get the guitars.
14a All Things Must Pass - Fronts oopsed with C channel removes the lead vocal.
14b All Things Must Pass - Rear channels oopsed with the C channel.
15a I Dig Love - Front channels oopsed with C channel mutes the lead vocal.
15b I Dig Love - Rears oopsed with C channel, removes the lv from the rear channel mix.
16a Art Of Dying - Front channels oopsed with C channel removes the lead vocal but retains the harmony vocal.
16b Art Of Dying - Front channels with the rear channel overlap subtracted. George singing with a power trio.
17a Isn't It A Pity - Front channels oopsed with C channel, removes the lead vocal but keeps the backing vocals.
17b Isn't It A Pity - Oops of the front and rear channels removes the rear channel overlap on the fronts.
18a Hear Me Lord - Front channels oopsed with the C channel, removes the lv.
18b Hear Me Lord - Fronts oopsed with rears to remove the overlap.