Try to generate something fun in the New Bing AI, so here is something random abracadabra by AI
Prompt: Please generate(describe) the recording sessions of That Means a lot Take 24 by The Beatles, you can imagine a little based on fact
Output: The recording session of take 24 of That Means A Lot was the final attempt by the Beatles to salvage the song on March 30, 1965. The session took place at Abbey Road Studios, in studio two, from 2:30 pm to 5:45 pm. The Beatles had already recorded 23 takes of the song on February 20 and March 30, but none of them satisfied them. They decided to try a different approach for take 24, hoping to improve the song's sound and feel.
The arrangement of take 24 was faster and more upbeat than the previous takes, with a tempo of about 120 beats per minute. The song was also transposed from the original key of C major to D major, making it higher and brighter. The song structure was unchanged, consisting of four verses, two bridges, and an instrumental break. The song's length was about two minutes and 40 seconds.
The instruments used for take 24 were as follows:
- Paul McCartney: lead vocals and bass guitar. McCartney sang in a higher key than before, and added some vocal improvisations and variations to the melody. He also overdubbed some harmony vocals with John Lennon in the bridges and the final verse.
- John Lennon: rhythm guitar and organ. Lennon played a six-string acoustic guitar, strumming along with the chords. He also played an organ part that was prominent in the mix, adding some texture and depth to the song. He overdubbed some harmony vocals with McCartney in the bridges and the final verse.
- George Harrison: lead guitar. Harrison played a twelve-string electric guitar, providing some fills and riffs between the verses. He also played a guitar solo in the instrumental break, echoing the vocal melody.
- Ringo Starr: drums and tambourine. Starr played a basic drum pattern, keeping the beat steady and simple. He also overdubbed a tambourine part that added some rhythm and sparkle to the song.
Some features and fun facts about take 24 are:
- The take was recorded on four-track tape, with tracks one and two containing the basic rhythm track of bass, guitars, and drums. Track three contained the organ part, and track four contained the vocals and tambourine.
- The take was completed with two reduction mixes, numbered RM1 and RM2, which combined tracks one and two into one track, freeing up another track for overdubs.
- The take was edited with an intro from take 20, which had a count-in by McCartney.
- The take was marked as "best" by the Beatles' recording engineer Norman Smith, but it was still rejected by the Beatles themselves.
- The take was later given to P.J. Proby, who recorded his own version of the song in April 1965.
- The take was not released until 2015, when it was included in the deluxe edition of the album 1. It was also remixed by Giles Martin, son of George Martin, who enhanced the sound quality and clarity of the recording.
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