csnyfan's projects

Bootleg audio discussion for anything John, Paul, George and Ringo
Rupert Pupkin
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Re: csnyfan's projects

Post by Rupert Pupkin »

I will reupload it tomorrow unless someone already did
Rupert Pupkin
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Re: csnyfan's projects

Post by Rupert Pupkin »

Rui wrote: Sat Dec 03, 2022 12:08 pm
Rupert Pupkin wrote: Tue Aug 24, 2021 4:35 am currently uploading - was posted and shared by csnyfan at bootlegzone... : hxxps://we.tl/t-JN29elGfom

this was perhaps a project unfinshed of All Things Must Pass tracks :
(Art Of Dying is a great stereo mix - I don't know what source csnyfan you used perhaps Strawberry records's "Songs For Patti" ?)

All Things Must Pass ... Naked! (2019) csnyfan

03 Balld Of Sir Frankie Crisp (Let It Roll) [2019 Remix].flac
04 Awaiting on You All [2019 Remix].flac
15 My Sweet Lord [early stereo remix].flac
99 Art Of Dying [take 9, early stereo remix].flac

I have also added the great remaster you've done of the radio broadcast generously shared at BZ which had a different mix of "Far East Man" (one of my all time favorite song), Ron Wood's version, but with a vocal line sung by George Harrison!
I still can't decide which version I like best : the so-cool slide-guitar version on Ron Wood's album or the keyboard/horns with the message to Frank Sinatra on the intro on George's album :

Far East Man (Early Mix with vocal line by George Harrison) [by csnyfan].flac
can anyone do a re-upload of this, thank youu!!! :>
here it is (back from the good'old days of BZ): hxxps://we.tl/t-scUZ73Ieu4
:)
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csnyfan
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Re: csnyfan's projects

Post by csnyfan »

1966-04-26 And Your Bird Can Sing [Take 10 Track 3 Vocal Overdub]
Source: SDE (5.1), RB
Dry and complete vocals for the master take. The Atmos mix appears to have a tape wobble at 0:15 (the first 'me'), which I've left in for now.

hxxps://we.tl/t-jFm8yU1c7P
BTL1210
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Re: csnyfan's projects

Post by BTL1210 »

AWESOME - Thank you.
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masterjedi
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Re: csnyfan's projects

Post by masterjedi »

So cool! I'm trying to avoid using isolated overdubs in the Complete Recording Sessions series (it would get overwhelming) but this one deserves to go somewhere.

BTW, where are these located? Or have you not put them out yet?
1966-04-22 Tomorrow Never Knows [Take 3 - Track 3 Jangle Piano]
1966-06-01 Yellow Submarine [Abbey Road Sound Effects Tape Vol 46 - Le Rêve Passe]
vinylwall
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Re: csnyfan's projects

Post by vinylwall »

This is great! Thank you
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csnyfan
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Re: csnyfan's projects

Post by csnyfan »

masterjedi wrote: Tue Dec 06, 2022 10:05 pm So cool! I'm trying to avoid using isolated overdubs in the Complete Recording Sessions series (it would get overwhelming) but this one deserves to go somewhere.

BTW, where are these located? Or have you not put them out yet?
1966-04-22 Tomorrow Never Knows [Take 3 - Track 3 Jangle Piano]
1966-06-01 Yellow Submarine [Abbey Road Sound Effects Tape Vol 46 - Le Rêve Passe]
Haven't uploaded those yet. It would be good to get a better rip of the new revolver radio show that the brass band snippet was broadcast on.
rhino
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Re: csnyfan's projects

Post by rhino »

Sounds Great !
Ken_peps
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Re: csnyfan's projects

Post by Ken_peps »

Any chance of reupping the new edition of White Album Fun - I've lost the files, plus all the extras....Thank you so much!
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csnyfan
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Re: csnyfan's projects

Post by csnyfan »

Be careful, you can't unhear this! :!: :shock:

1966-04-28 I'm Only Sleeping [Take 11 Live Backing Track]
Source: SDE (Atmos, RM1), CV, Anthology DVD 5.1
In addition to a recorded rehearsal, two separate sessions produced attempts at backing tracks for this song. One with live vocals (1-5), the other purely instrumental (1-11, no 10). Take 5 as found on the SDE and the master take 11 both come from the instrumental session. Documentation is contradicting and sparse, but the instrumental session likely came later, perhaps in the early morning hours of the 28th. The performance was apparently more rehearsed compared to the vocal takes and they were experimenting with varispeed at that point. Take 5 is played in E minor in standard tuning, with the intent of slowing the recording down a semitone to E flat minor in the end. For take 11, they went all out to get the dreamy sound of the backing track: With a capo on the second fret, they played the same chords as in take 5. For the released mix, the tape was slowed down by 3 semitones to E flat minor. Aligning the pitch of the cymbals of take 5 and 11 revealed the original speed take 11 was played at.

hxxps://we.tl/t-JGJDysuYDy
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