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I wanna make a quick statement right here: The "nagra is always lossy" myth has been around forever, and can be disproven simply by checking out any Yellow Dog release after 1998, mainly Day By Day or even Leaning On A Lamppost. The original Day By Day series has an amazing full-spectrum ...

Yellowsubmarine wrote: ↑Tue Apr 30, 2024 9:02 pm

studio_two wrote: ↑Tue Apr 30, 2024 8:58 pm I think there has been a handful of patches too.

Yeah, but PC's sets are still very outdated.

They remain an excellent reference of sources, and snapshot in time. Completely indispensable IMHO.

Help! Can anyone provide DDSI numbers for the tracks on the Let It Be Super Deluxe? It would be quite helpful. thanks in advance! Here you go, I posted this on Hoffman back when the SDE came out. Ty to mikec for identifying "On the Day Shift Now" which I remember had me stumped. Disc 2 - ...

Help! Can anyone provide DDSI numbers for the tracks on the Let It Be Super Deluxe? It would be quite helpful.

thanks in advance!

Thanks for the heads-up. I need to grab a few of these still.

The one on Complete Recording is a rip by Steve Shorten, masterfully de-wowed by csnyfan. I do remember a Untehousn, but not sure it's the same person.

Regarding the track "I Am The Walrus [edit of RS6 and 7 US stereo]" located in the vintage mixes folder of Volume 11: the mix included there is the trimmed version of the track. Wouldn't the HörZu Magical Mystery Tour be a better source for this particular mix, as it is featured untrimmed...

Sorry, been away viewing the eclipse! Did you get a good glimpse of it? Here, we had nothing but clouds, clouds, and more clouds. All told, I was only able to see the eclipse for about 90 seconds. And even that was in the earliest minutes. Funny though, the clouds disappeared about 30 minutes after...

Can we have a before/after? I'd ditch the stereo effect.

Restating my question, what does that mix has that the 1 5.1 and the YS 5.1 doesn't? How it difers from the YSS? I'm puzzled by this as well, I'm failing to hear anything new. Maybe the name just reflects the final multitrack, as take 15 was the reduction mix of the final instrumental take 14 to a ...